This is a widely held belief for numerous people that jointly caring for a canine companion after a breakup is a recipe for trouble. Experts frequently claim such setups impede former couples from healing, cause practical headaches, fuel disputes, and become annoying for everyone involved. Apparently, as a development worthy of a direct-to-platform film, it also makes the dogs themselves to feel down.
Not to downplay the emotional well-being of dogs – countless people observe their remarkable empathy. For a masterclass in dog sorrow, one need only look a past film. It seems certain that a dog like Merv, a spirited little dog portrayed by a talented dog named Gus, would struggle adjusting to life in two homes. If this concept a feature-length romcom on this conflict holds water is debatable at best.Predictable Foundations
Fairness demands noting, Merv, written by its screenwriters and helmed by Jessica Swale, doesn't pretend to be more profound than a light film. We have here a holiday release from a streaming platform giant – the ambitions remains surface-level. The plot unfolds as uncomplicated: a separated couple Russ (Charlie Cox) and Anna (Zooey Deschanel), realizing that their post-breakup gloom is surpassed by their dog's, decide on a therapeutic trip to a dog-friendly resort. At this location, predictably, they will presumably rediscover the idea that they belong with each other. Side characters – featuring Chris Redd, Jasmine Mathews, and others – are crafted as the usual assortment of types. Visually is reminiscent of a streaming service original, with a holiday backdrop that is obviously artificial – think fake snow piled on lush pines as a summer location substitutes for the Northeast.
The Dog's Domain
Whether these predictable parts come together into a pleasant experience depends on the actors' work and an acceptance of easy entertainment. On the latter point, Merv knows its audience – the kind who seek out for pet content. Audiences receive a plethora of scenes focused on the pet. The primary selling point is the canine star, and while this leads to some clunky cuts between animal action and people's faces, the movie delivers on walking sequences, dog depression, and, finally, pure puppy happiness.
The Human Element
Such effectiveness does not extend for the human side of the story. Its style vacillates between emotional depth, zany antics, standard rom-com beats, and physical comedy, never fully committing to a consistent feel. No blame falls on the actor playing Russ, who is willing to embrace the absurd and awkward demanded of the bizarre setting. He brings a charming humility that supplies much of the film's charm for this on-the-rocks couple. Zooey Deschanel, as is her trademark, imparts a particular brand of eccentricity that will either resonate with viewers. Her portrayal seems a little too aloof, notably when paired with Cox's genuine sadness. (It should be noted, Gus the Dog succeeds in looking despondent – while no a canine thespian of that caliber, he's definitely an excellent dog.)
Merv tries to give weight to Anna and Russ's relationship for scenes without their pet – a regrettable choice, given that Merv is easily the best part of this feel-good picture. Unsurprisingly, it just about gets by. The reason for the split would feel more adult and realistic with more screen time and fewer direct statements. As it stands, Merv is slight and sweet, meeting precisely what you anticipate. Creating a movie about dog co-parenting has potential – though it's hardly a brilliant concept.
- Merv premieres on the Amazon platform on December 10th.
